Kimberly Marshall maintains an active career as an organist and scholar, performing regularly in North America, Asia, and Europe. She is the newly appointed director of the School of Music at The Katherine K. Herberger College of the Arts at Arizona State University, currently holds the Patricia and Leonard Goldman Endowed Professorship of Organ at Arizona State University and serves as Artist-in-Residence for Trinity Episcopal Cathedral, Phoenix. She previously held teaching positions at the Royal Academy of Music, London, and Stanford University. In 1985, she won first prize in the international St. Albans Competition, resulting in prestigious concerts (Royal Festival Hall, London, and Chartres Cathedral) and a recording contract with the BBC. The following year, she received the D.Phil. in Music from the University of Oxford.

Kimberly’s compact disc recordings feature music of the Italian and Spanish Renaissance, French Classical and Romantic periods, and works by J. S. Bach. Her concert engagements include Notre-Dame, Paris, St. Paul's Cathedral, London, King's College, Cambridge, Uppsala Cathedral, and the Dormition Abbey in Jerusalem. She enjoys tailoring programs to the styles of the instruments she plays and has performed on many historical organs, such as the Couperin organ at Saint-Gervais, Paris, the Gothic organ in Sion, Switzerland, and the Cahman organ in Leufstabruk, Sweden.

Kimberly has been a recitalist and workshop leader during recent National Conventions of the American Guild of Organists (Dallas, 1994; New York, 1996; Denver, 1998; Seattle, 2000; Los Angeles 2004). From 1996 to 2000, she was affiliated with the Organ Research Center in Göteborg, Sweden, where she taught and performed; under the aegis of GOArt, she organized the conference “The Organ in Recorded Sound,” and has edited the proceedings of this, the first-ever conference devoted to sound recordings of the organ. During the summer of 2001, she appeared in Seoul for the Korean Association of Organists and in Toronto for the Convention of the Royal College of Canadian Organists. Her recording of Chen Yi’s organ concerto with the Singapore Symphony was released in 2003 on the BIS label, and her recording of late-medieval organ music, “Gothic Pipes,” was released by Loft Recordings in 2004.

Kimberly spent last semester on sabbatical in Pistoia, Italy, where she researched early Italian organ music and performed on many European historical organs, including the famous instrument in Naumburg, Germany, which Bach examined. During the summer of 2006, she presented concerts and workshops on early music in Sweden and Israel, and she will be a featured artist for the 2007 Early English Organ Project in Oxford.